Wednesday, October 10, 2018

White Nights, Black Paradise Comes to the Hudson Theatre in November/December




San Francisco, 1975
Jonestown, 1978
They came out with pitchforks when we moved here. The women in their white pearls and pressed gloves, the men dressed to the nines in suits and ties, beat down to a steaming pulp after a long day at the office, wraiths fastening their lips to big orange bullhorns like it was the bottom of the ninth at a Giants game. The whitest of white stalking the joint, out in the street for a tea party, pinkies raised at attention. 

We could see the Bay curling out at us when we drove in from Cottonwood, California, the five of us packed into the Dodge, watching green-eyed monster waves cut in pieces by the bridge, shimmering, debating, telling us how ‘the Cause’ was gonna cure everything. 

Workshopped at the Robey Theatre Company Playwrights' Workshop

TICKETS: http://bit.ly/wnbp-hud
Discount code: 410

Tuesday, October 9, 2018

NARCOLEPSY, Inc Web-series Pilot Drops Winter 2018-19



"Reports of my demise are somewhat exaggerated"

NARCOLEPSY, Inc, the web-series based on Sikivu Hutchinson's Hollywood Fringe Fest play set in post-apocalyptic Reagan-era U.S., drops Winter 2018-19.  The cast features Elvinet Piard (Yuri), Cydney Wayne Davis (Garcon), JC Cadena (Dr. M) and Scott St. Patrick Williams (Friar Perry). Speculative fiction set in a theocratic state where sleep and dreams are policed and manufactured by the multinational, Narcolepsy, Inc. whose chief scientist and engineer, a queer Black woman, is under house arrest for selling company secrets. Narcolepsy, Inc. has established a racialized caste system of sleepers (teeth grinder and insomniacs) in which the dreams of lower caste members are commodified and all sleep is induced.

"PHENOMENAL!!! The writing is excellent! It weaves together the themes of life for Black women under capitalism, the role of religion in society and so much more!" Yuisa Gimeno, Review, June 2018

"A politicized contemporary Twilight Zone episode in which we don't know whether the lead character is being held in a motel room or a detention center, and we don't know if she is an idealistic whistle blower or apparently complicit with the evil deeds of an immoral corporation...Who is guilty and who is innocent?" Review, June 2018





"Fascinating, a great play, touching on Big Brother and corporations’ control of citizens. Americans of African Ancestry’s (teeth grinders) dreams are controlled by the State and corporations" Von Hurt, Review June 2018